‘Dogs were with us from the very beginning. And of all the animals that walked the long centuries beside us, they always walked the closest’ A Boy and His Dog at the End of the World by C. A. Fletcher.
‘Dogs were with us from the very beginning. And of all the animals
that walked the long centuries beside us, they always walked the closest’
A Boy and His Dog at the End of the World by C. A.
Fletcher. A Review by Lucy Nield.
@lucy_nield1
Charlie Fletchers 2019 dystopia A Boy and His Dog at the
End of the World, presents us with an emptying world. Our world. Devoid of familiar
human civilisation for 3 or 4 generations, Britain is a changed place. The
landscape echoes of the loss of humanity, piles of bones appear in the most
unlikely places and the topography is an overgrown mesh of the man-made and the
natural amalgamating into something new.
In a preface to the novel, Fletcher asks the reader to keep Griz’s
secrets and try to avoid spoilers. So, I will do my very best not give too much
away…
Griz and his family live on a small island above Scotland,
only ever meeting their direct neighbours on the odd occasion. Griz loves to
read. Gleaning books from nearby houses and listening to other stories, Griz
likes learning about the crowded world in the Before. In the After, there are
very few people, and dogs are just as rare. However, Griz never seems lonely on
the island, with a loving family and two dogs, Jess and Jip, there is always
someone to spend time with. But who is this red bearded man that the dogs are
barking at on the beach? What does he want? Griz has no idea that everything is
about to change…
Written from Griz’s perspective. The whole novel reads like a
diary. Thoughts, observations and memories scrawled in a notebook, with no
intention of anyone ever reading what is written, Griz lets the reader into his
day-to-day world.
Following some familiar paths as other post-apocalyptic or
post-civilisation narratives, Fletcher takes us on journey through the ‘end of
the world’. Griz, and Jip the dog, have a dangerous task to complete. Like we
see in other apocalyptic narratives, such as The Road, Doomsday or
Atwood’s Maddaddam Trilogy, the world has been disconnected from us.
Familiar because we know the settings, but defamiliarized by the lack of humans
and encroaching nature. One of the (many) unique aspects of the text, was
Fletchers ability to shift focus from the decay, desolation and isolation
towards something positive and beautiful but intangible. Griz see’s the empty
world as an adventure, or a playground. With as many books as he can read.
I loved Fletcher’s ability to thrust the reader into Griz’s
world, but in a seamlessly. You forget you are reading fiction and can imagine
Griz’s world as clearly as if you were watching the History Channels 2009
documentary ‘Life Without People.’
I could not put this novel down. I am glad I had it on my
January ‘To-Be-Read’ list, and I would recommend it to anyone who loves dystopia
and apocalyptic fiction. This novel seems to confront the idea of ‘language
barriers’ in a number of ways.. which I refuse to spoil for you… but one would
be the language between humans and animals. We see the beautiful relationship
that Griz has with Jip, who does not see dogs as animals, but views them more
as ‘family.’ Fletcher sends pangs of nostalgia, grief and existentialism
through your body with this narrative (page 254 in particular made me cry loudly
and uncontrollably). This text forces you to question what lengths you would go to
survive, or protect your family and friends… because ‘If we’re not loyal to the
things we love, what’s the point?’
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